Week 3_Reading 2
(Q, 211b) When Meng Tian is confronted by the Second Emperor’s envoy, he remonstrates accusations of his guilt. The envoy serves as a bridge between the Second Emperor and Meng Tian—Tian must first convince him so as to get the chance to do the same with the Emperor. (Q, 212m) Tian calls on a story from antiquity to underline the importance of examining the threes and fives (the true situation at hand, according to Watson’s footnote). Tian’s parable details a story of King Cheng’s movement from ignoring the threes and fives to actually examining them. The King initially believes the ministers’ reports of Dan, the Duke of Zhou’s, planned revolt. But the key moment occurs when King Cheng moves towards the archives, finding there documents holding Dan’s verbatim experience. Thus, the King understands that he’s been duped by the ministers, and goes back on his initial assessment. (Q, 212b) This parable holds a clear parallel to Tian’s own situation—Tian represents the misjudged Duke and the Emperor represents King Cheng. Tian hopes to convince the envoy with the incentive that it was King Cheng’s acknowledgment of error and remedying of the situation which allowed him to flourish. Whereas Tian’s counter-examples—of Emperor Jie’s and Emperor Zhou’s failure to acknowledge their mistakes—are ones of death and downfall. Thus, Tian appeals to the envoy’s desire for the Emperor’s success by presenting him with this cause-and-effect specimen. (Q, 213t) But the bridge fails, the envoy refuses to relay the message to the Emperor. Why? The envoy’s response suggests that he is paralyzed by the law—the imperial decree had closed off his mind, and cast out room for him to move towards any kind of original reasoning. Instead, this envoy functions somewhat like an automaton, refusing to examine the present moment as it unfolds out of his commitment to the law. This law doesn’t urge one towards seeing, as Tian suggests, rather it functions as a sort of blindfold, closing off opportunities for dialogue with the unfolding present, keeping men still in their thought and sight.
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